I must admit, when I read the press release from Southern Lord what did say that this was Anna simply playing the organ unaccompanied, no singing, nuthin’ (exact words, guv), I wasn’t filled with hope.
Maybe it’s because I had a bit of a beast of a last month, but when I did play it, all doubts vanished. It was, is, and forever will be perfect. It genuinely does not matter that her wonderful voice is kept in the cupboard on this album (no, it really was, she told me, she had a special box made for it and even provided it with a personal servant while she communicated with people via email, semaphore and carrier-pigeon).
Despite the strange ways my life has turned over the years, I don’t have that many regrets, even now, but one of them is not going to see her play in Leicester late in 2015 because it clashed with the night my ex-wife was going for a weekly visit to a friend and I didn’t think it worth the battle at the time. And then about a week later I got into her second album and really regretted it. Not fighting the battle, I mean. But then I always thought I’m a lover, not a fighter, except that’s been a rather bitter laugh over the last few years…
Enough of my woes, listen to the organ! (and there was me saying I don’t type much these days).
Whims, eh? There’s actually a fair bit I’ve discovered lately, but I’m on the wrong PC and have bad memory. Otherwise I suspect I’d bombard you with another buses series.
How often do I need to post the work of Julius Gabriel? Probably as often as he does it. Dude is properly on it. So is his partner in this maelstrom, João Pais Filipe, who you will also hear in the next post, equally maelstromic. Neologisms, eh? I love ’em. This is the musical equivalent.
This be the second Paisiel album, so I hope it means there will be more.
I had a thought nag me that I’d posted their first album, and indeed I had.
This one is nice and mellow, and was a perfect one to start the day whilst my brain still tries to remember what I do for a living. I’ve allowed my schedule to become such that the alarm goes off at 8.15 and I stumble downstairs, turn the pc on, make a coffee, begin work. I must admit I do miss the walk in in the morning, but I don’t miss getting up at 7ish.
I only have one complaint about this album. Some of the grooves just stop, like someone simply pressed ‘stop’ on the tape recorder. I can just hear them say, what, you got 16 minutes and 58 seconds (for example) of a most righteous groove! What more could you possibly want? Well, another 16 minutes and 58 seconds would be nice…
Its a live recording, so the awesome bass playing isn’t as prominent as it should be. But thats a trade-off, I bet if they went into the studio proper for this it would never turn out like this. It might be just as good, but it wouldn’t be like this. And I must admit, I like this. Much.
It’s that Friday where Bandcamp do that good thing they do again. As promised, I bought myself the Follakzoid album that I promised myself last time, but I also added this to the cart, because I like this. But I almost always like what Valerio Cosi does.
There aren’t many artists that predominantly produce instrumental music who nevertheless keep me interested. It’s a very difficult approach to music to do consistently well (albeit quite easy to adopt a phone-it-in approach). Whatever well he’s tapped, it is one deep well. I was very regularly feeling that ecstatic feeling I get when I listen to music that is so perfectly put together that it could be thought of as a self contained universe in its own right, albeit – and not actually paradoxically – also open-ended. Like life.
As is always the case when I sit down to do a post, my words dry up and lose any sparkle that I might have thought they had when they raced around my head. It’s not all bad, though. Just press play and enter the trance enfolded into the music – all the sparkle you’ll need is there. And we all need sparkle in these times.
This is one of those that I discovered by trying out something that one of the fans I follow on Bandcamp had bought. I have zero idea why I clicked on this one in particular, but am very glad I did.
Some of the titles are fabulous, which is why it gets to be a political album despite being largely instrumental, like the awesome Welsh drummers some posts back. But great titles are only pithy phrases unless they’re backed by something excellent to be a title to, and these things are.
Not a guitar in sight, though, for those of you who prefer my more guitar oriented posts.