The Spacelords – Water Planet

spacelords

At this point in the timeline, it seems that all is collapsing hopelessly. Yet I invite you to picture it another way – once a flower has completed its own beautiful cycle, it then produces the seed. This doesn’t look as beautiful, I grant you, but it is just as necessary if we want more flowers.

People, the time for flowers as you knew them is passing. Fortunately, we live in a time of seeds. Many, many, many, countless, not quite infinite yet neverending.

Let us nurture these seeds and see what flowers may subsequently grow from them, even as we accept those flowers may be appreciated more fully elsewhen.

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Peaking Lights – 936

This, my friends, is spaced out psychedelic dub pop at its very finest. Upon discovery, this sat undisturbed on my playlist for several months. There has been a gap, and now I have re-discovered it again, and it is spending quality time in my brain providing much needed inoculation against some of the more virulent sonic memes that I have unfortunately been repeatedly exposed to by my otherwise wonderful children.

I may have mentioned the marvellous Matchess, who inhabits sonic landscapes not too dissimilar to those found here, albeit with less emphasis on the beats, and is a bit less new-agey.

I believe this borders onto the lands of the not-quite-so-obscure as my usual taste in music, meaning y’ain’t gonna find no easy Bandcamp embed here; regardless, my best method of portraying my love for this music is simply to seek out web links from whence you can hear it, as I have been wont to do of late. So here:

Opener Synthy doesn’t seem to have a video, but All the Sun That Shines does:

Amazing and Wonderful:

Birds of Paradise dub version:

Key Sparrow:

Tiger Eyes (Laid Back):

Marshmellow Yellow:

and finally, Summertime:

You may notice a theme with the visuals…

It will probably not come as too much of a surprise if I tell you that this is positive music, generally upbeat – where there are no beats it is very hypnagogic, all giving it a proper feelgood effect. I’ve engaged most often with it in a late-evening/early nighttime period, in various states of consciousness, and can assure you that I can find no instance in which this album isn’t fantastic. One of my true favourites from this millennium.