3rd post in a year. Well, it turns it they ARE that good.
As is so often the case with music like this, words completely fail me. I’ve come to the conclusion that the easier something is to put into words, the less of an effect it has on you. But that may just be due to incipient stupidity on my part. What am I, a music critic?
As the blurb on the bandcamp page says, the centrepiece is definitely their take on the Alice Coltrane classic, but the accompanying material is also worth the price of admission on its own, which should tell you how highly I’m rating this. This is mighty, mighty music.
And it is also testament to those so many artists who keep plugging away and doing what they gotta do regardless of recognition. With no need to please a fanbase you have the space to grow truly. There’s loads of artists like this around who just keep getting better and better by simply remaining true to themselves, and the internet’s continuing decimation of the mainstream music industry* allows more and more of these to find some appreciative ears. Long may it continue.
*the mainstream music industry is now probably better decribed as the spectacle soundtrack industry. Music always seems to be of secondary concern to the visuals.
Well, now, here’s a thing.
After being hat tipped by the mighty Heathen, I went to the Riot Season bandcamp, I did, and checked out the teaser tune. And I quite liked it, but wanted to hear more before deciding whether I wanted to buy it or not. So I rooted around (alright, then, I looked slightly further down the results page) and found the Menimals original bandcamp page which also has a self titled album on it, with the same opening track. And the whole damn thing was listenable, and the whole damn thing was mighty fine indeed.
But here’s the aforementioned thing: apart from the opening track, the tracklistings on these two self titled albums do not match. Are they actually different albums?
I hope so, because self titled number one is just so darn good. Dark and menacing, to be sure, this isn’t an uplifting set of music. Not guaranteed to break the ice at parties. Imagine The Bad Seeds doing the mid-90s Bristol sound – Tricky at his most menacing, perhaps. One of the songs had me thinking of Underworld doing The Bad Seeds with the latter’s instrumentation, and the final song becomes really intense, a bit like Hey Colossus in their sludgier days. I also find myself reminded of the intersection of jazz with electronica and trip hop, for example The Lifeforce Trio and Triosk, although that may be more due to atmospheric reasons.
Anywho, I’ve embedded the original one since you can listen to all of that. And if you look at the artists description on the page…