Million Brazilians – Wet Dry Jungala

Million Brazilians is probably a better artist name than Three People in Maine. There may be those who don’t like surprises, though, so I feel it only fair to warn you that a) they are (probably) not Brazilian and b) there are not a million of them.

This is an early album by them. All their subsequent ones, except for one I found on Juno Download, can only be listened to in excerpts and I’m not one to buy things I’ve only heard excerpts from. The excerpts do sound good, but I’d need to be better off than I am before I start buying things I’ve only heard excerpts from.

There may be genre descriptors relevant here but if there are they are words I am yet to hear. This album sort of vaguely puts me in mind of 936-era Peaking Lights, but only sort of vaguely. Track 2 is frankly legendarily good. It’s vaguely tribal, I suppose, vaguely jazzy, vaguely soundtrack-to-a-film-that-doesn’t-existy, vaguely trancey, vaguely droney, and very good.

Sula Bassana – Loop Station Drones

Sula Bassana is part of Electric Moon and therefore needs no introduction, and yet what you have just read is an introduction, albeit quite a lazy one.

Sula, or possibly also known as Dave, put the first track of this out a bit back with commentary on the page that this would just keep getting added to until finished, and now it is finished. Well, it was that one track that did it for me, but the fact that it’s now an album, and a nice long one, well, what’s not to love?

So when he do solo he do motorik, electronic, kosmische-y stuff with loops and drones an’ ting, and when he do solo, I do like to listen. It’s very possible that I’ve missed posting some of his stuff from the last few years; not purposely but because I just keep forgetting I have this blog thing. The point is, though, that all the things are worth listening to.

Wasted Cathedral – I’m Gonna Love You ‘Til The End Of Time

I’m probably the last person to comment on the incongruity of artist name versus album title. I actually have nothing useful to say, other than that, to me, the combination is incongruous.

Meh. Regardless, the album is really rather good, and by really rather good, I mean excellent. My only minor quibble is that the short pieces are good enough ideas in their own right to be fleshed out further than they are, but as long as they’re good, right? Right.

The longer pieces are well trancey, which is something I’ve rattled on about loads before so I won’t again, except to say that if you want to lose youself in some monging drone, then this here is for you.

Dude here also does other things – The Switching Yard, The Radiation Flowers, and Shooting Guns.

I actually meant to post this the other day with those other two posts I did, but my mind went blank. There was also another one too, but that isn’t actually released til the 23rd of this month and you all know how I feel about posting stuff that isn’t actually available yet. I’ll try and remember on the 23rd.

ZAÄAR – Magická Džungl’a

I think this might be my find of the year, saved right until almost the very end. But first I have to know – what is that accent thingy over the middle a in their name? Does it change how you pronounce said name? Me ignorant Englander. Actually, I don’t know how to pronounce any of it.

I’ve had at least three images evoked whilst listening to this – a kind of middle eastern bazaar (though I’ve never been to the middle east, or indeed a bazaar), the early stages of a long night dancing round a campfire when everyone is gradually getting into the sounds and rhythm, and a kind of sordid, late night carnival where the pleasures are unexpected and never subsequently spoken of (sadly, I’ve never been to that sort of carnival either).

It’s kind of jazz, I suppose, though very psychedelic and with regular, hypnotic pulses. Spacious, yet dense. Loads going on, but loads of room; an all encompassing sonic experience. There probably are reference points, though I know them not. Perhaps the nearest I can think of, albeit still distant, is Miles Davis’ Get Up With It, itself a very fine album and one I should listen to more.

And on that note, I wish you all a marvellous 2022. May the music you find be especially resonant to you.

Spring Temples – Live at Shining Path

This is ambient, very mellow but also very trippy. I discovered it by a chance I now can’t remember and played it to accompany spreadsheet catatonia at work, and it was very complementary to that state. That isn’t a recommendation? Why on earth not?

Spreadsheet catatonia, sadly, is the only mind-altering state I do regularly these days. Actually, the only one I do at all.

Ignatz & De Stervende Honden – Saturday’s Den

It’s been a day today, as the invoices have landed. Many has been the time when I thought I was merely blinking only to be met with eyelid rebellion when attempting to re-open my eyes. My mind was choosing a cataleptic coma over work. What can I say? My job is thrill-a-minute.

Imagine Les Rallizes Denudes but chilled waaay down, and with a dose of Inutili playing chess with Neil Young, and you might get somewhere close to what this trio do when they’re not trying to make us think they’re a duo with that name of theirs. Albeit Belgian, so for all I know that name is not at all an intended deception, I’m just being a quintessential Little Englander. Again.

I had thought this might be the first time I was using the tag ‘blues’ in all my years of Soundberging, but then I remembered Fink’s Sunday Night Blues Dub thing or whatever he called it, and so I played that again.

It might be the musical accompaniment to my catatonia should perhaps be kicked up to some bangin’ disco? But I don’t like bangin’ disco.

Gnod – Easy to build, hard to destroy

Because I mentioned this to Chris on Saturday. This is probably my go to Gnod album at the moment. This is them doing trance and repetition unto infinity.

For those unfamiliar, this is a compilation of tracks, jams and grooves from earlier in their history. These days they tend to the louder and angrier, and whilst it’s still good, I always preferred this approach.

I mentioned on one of my posts yesterday about Tony’s First Communion, amongst my fave ever tunes. Well, there’s a kind of proto-version of it on here. It’s not the the same as the one on Crystal Pagoda, which is also well worth your time.

The Oscillation – Untold Futures

Whenever I really like a band, I start to feel a bit self-conscious always posting their new releases, like some kind of fan-boy. Having said that, I do still do it when a) I remember, and b) said release is up to the standard I expect of any Soundbergs resident.

So, The Oscillation is one of those artists. Hang on, says the odd reader who has more brain cells than me (which is to say, all of you): why ain’t you got one of dem hyper-links in the band name at the beginning of the sentence? Why does my memory not contain a record of a post about these around ‘ere?

Because I never got round to posting anything about them before, and for that I am a fule, a fulish fule.

I would say you all know who The Oscillation are, and you don’t really need me to tell you why this is good, though I should not assume anything. But, you all know… etc. They’re very good. And, because I haven’t got a whole history of Oscillation posts where I really should have, can I at least point you to the live album here? It was this that sold them to me in the first place. Brilliant collection of tunes.

As Demian has been playing with distinctly non-standard frequencies on some of his releases, I would be intrigued to know if he does that on the band-like releases. I’m curious as a fellow frequency-deviant, who does stray from the norm on all official recordings now.

Nova Express – Twenty One

I have a colleague at work with whom we discuss music fairly frequently and through each other we have discovered some good stuff over the years, although some of the stuff I’ve tried him on has been a bit hard for him to bear – he described Gnod as Pink Floyd having a bad trip after I played him Tony’s First Communion (one of the best pieces of music ever, imo), and said he’d rather pull his own teeth out than listen to Oneida again.

Anywho, a success story was a band called Appliance, who I’m sure you all remember from the beginning of this cursed millennium. He said to me that he couldn’t believe he’d missed them as he was well into that type of music then and he was familiar with all their contemporaries yet Appliance completely passed him by.

I feel somewhat that way about Nova Express, who I now know to have been around at that time too, though I didn’t then. And whilst I’m not going to claim that my journey into repetition and minimalism was complete by that time, it had certainly started and I’m convinced I would have done the listening equivalent of feasting on this stuff.

Be that as it may, I know it now, and I know it gladly.

Autotelia – I

I love this album whenever I listen to it, but it’s bang on perfect for these semi-hypnagogic states that my first couple of hours of each day tends to be.

This is that kind of mellow motorik kosmiche type music that is just totally trance inducing. An altered state all by itself.

I understand one half of Autotelia is no longer with us, which is very sad. This is some legacy, however.