The Soundbergs of 2016

You know, I don’t think this is the best time of year to be saying what my favourite albums of last year were. I mean, I have literally just tried out a bit of the Heron Oblivion album, and my first instinct is that if I’d have got on that when it came out, it would be vying for a place in the list below. And my list last year didn’t give anywhere near enough prominence to Pridjevi and Anna von Hausswolff, mainly because I’d not long got on them – they were to dominate my early 2016. Maybe I should do it at the end of the academic year instead?

We humans do seem to like lists, though, especially those that seem to quantify things. In fact, I suggest a hypothesis – we love lists all the more if their subject matter is inherently subjective and unquantifiable (which is waaaaay more things than you may currently believe).

A funny thing happened to me in 2016. Well, lots of things happened, but this one in particular was that after I put out my album in April, thus finishing a series, I stopped listening to heavy music. Just wasn’t in the mood. There were exceptions – Hey Colossus released a wonderful EP that I mentioned in my summer chat post that isn’t an album but is good enough to be on some sort of year end so at least I’m mentioning it now, and there were a couple of later releases mentioned below, and now that I think about it, Anna von Hausswolff.

This may seem like an order, but it is malleable. Take it all with however much salt you deem appropriate.

Our Solar System – In Time. This album is perfect. Jazzy-Funky-Mellow-Spacerock. Most played album of the year from this year.

Karina Vismara – Casa Del Viento. Acoustic female singer-songwriter isn’t usually my thing. Only, this is wonderful. The vibe is magnificent, as is the songwriting.

Fire! Orchestra – Ritual. The meat of this album is staggeringly ambitious, but doesn’t lose sight of its tribal nature. The sort of trance-like jazz that just doesn’t happen often enough.

Horse Cult – Daydreams and Nightmares. The top 4 of this year could easily all be the winner in their own right, and this is another acoustic one. Like a more medieval/folksy Espers, but again with brilliant content behind the style.

Menimals. In a way I’m using both albums for this entry, saving me repeating it below, because one was pre-this year but I discovered it looking for the later one. Dark and menacing but not depressingly so.

Jon Mueller – Tongues. Another two track album and another with ritualistic drumming and chanting. Pounding trance music.

Narcosatanicos – Body Cults. As mentioned above, not much heavy did a lot for me. This was an exception, and I loved it because it is so very much like their first album, and at the same time it isn’t. I love it when bands do that.

Black Bombain and Peter Brotzmann – Free-jazz meets improvised psych-rock, with frequently brilliant passages.

Zulus II – Loud and in your face. They’ve got hella groove considering the nature of the music they play, really hard to do as well as they do. And Gemini is a drop-dead classic, as agreed by my boy.

Scroll Downers – Hot Winter. Sort of grungey indie-rock, I suppose. I realise that doesn’t sell it. They call themselves both ’90’s’ and ‘not 90’s’ so I think they might have trouble with a description, too. However, it is yet again the songwriting that does it, and it also sounds like they had a blast making it.

City of Djinn – Ether and Red Sulphur . I was going to just miss this out because I was worried it was still a bit too fresh but I listened to it again and it was blissed out brilliant, trance music.

Just missed out:

Muy Biien – Age of uncertainty;  Heavy Moon 7;  Sula Bassana

From before 2016

Pridjevi – For me, 2016 was utterly dominated by Pridjevi, helped also because my now 10-year old son has got with the groove on 2 of their tracks as well, and car trips went through a phase of him playing Pozuri Polako on repeat, which must have spent roughly 3 months in the summer going around my head non stop. Far more preferable to his other taste at the time, Goblins From Mars.

Anna von Hausswolff – The only album that came close to the dominance of Pridjevi in the first half of 2016. Not a concept album but sounds like one because of its wonderful atmosphere. That organ sound is transcendent. I keep forgetting how heavy this actually is.

Sungod – One of those all-over-the-map kind of artists. Kind of a less proggy Ozric Tentacles, if you want an inacurrate but lazy easy comparison.

Big Blood – This band have such a huge back catalogue, and this year has seen me mining the earlier years of it, which were just as good as the later years, but a bit different, naturally. They don’t seem to have done much this year. I noticed on their blog about an album coming out on Turned Word records, but that’s been up for ages and there seems to be no sign. Also, where are Turned Word records? They seem to have no presence since 2012.

Phil Cohran & Legacy. This thing took me by surprise, but probably shouldn’t have. It is stunningly beautiful music.

Pharoah Overlord – Lunar Jetman. Mainly because of the second track, which appeared via a Dusted magazine listing, but the whole album turned out good too. They seem to have finally got with the idea of easier access to their albums though the discography is incomplete.

Bitchin Bajas – Vibraquatic. Really mellow and meditative, and amongst the most regularly played albums of the year.

Gram Rabbit – Braised and Confused. Reading my original post, I’m struck by how much I seem to want to justify the fact that this album is fun. It is fun. But that doesn’t need justification.

Death Blues – Non Fiction. Part of Jon Mueller’s ongoing project, which I’d completely forgotten about since the first Death Blues album came out, so I’ve been trying to catch up when I get the chance. If anything, I like this even more than Tongues.

Fela Kuti – I returned to Fela Kuti, particularly Zombie, and have been playing his stuff regularly since the summer. It was brought on by the B-side of a single by Goat which had a really snaky groove but was only 3 and a half minutes long. I was instatntly reminded of Fela, and had a hankering for that kind of groove, but not the shortened version so I’ve been a regular visitor ever since. I also bought He Miss Road which is frankly wonderful.

Nudity is God’s Creation – This issue came out this year, but the music is from mid way through last decade. Yet another reason year end lists are crap, and yet here I am writing one which is taking me a lot longer to write than it will take you to read. Another reason I didn’t put it in the main list is because I didn’t like the bonus tracks much. They were obviously unreleased for a reason.

So. In conclusion, that’s it.

 

 

 

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Mixpost 1!

I do have albums to tell you about, and I will do some of that again soon. But I just really feel the urge to do this:

Various appalling sonic viruses try and worm their way into my head and find a formidable defender, my very favourite piece of music ever made (at least, at this moment in time). So effective is it that when, say, the theme tune to I Can Cook wants to go around my head regardless of my choice in the matter, I simply have to summon up my memory of this and Boom! my head contains quality for the rest of the day:

Because of Nadja’s turn on Dusted’s listed feature, I’ve been seriously back in the love with Pharoah Overlord. The album from whence the featured track came (Lunar Jetman) has proven to be impossible to get hold of from all my sources – even Ektro Records doesn’t list it, and it allegedly came out via them! These Finnish avant-garde types are definitely originals; I can’t work out their distribution methods at all. Marvellous music, though. Any suggestions welcome, subscription services need not apply:

Thanks to the Can You Get to That blog, I now know about Kraftwerk doing a song about Heavy Metal (or something):

Back in the very early years of this century, I quite relentlessly played the self titled debut album from Sona Fariq. Since it was on a major label and everything, I thought it would be the work of a click to find my favourite track from that on Youtube. Not a bit of it. The best thing I can find is this live video which has appalling visual quality. What gives? Which means that I currently have to shelve the post I was going to do about this album unless I create a youtube account, figure out how to marry music to visuals, and upload it all myself. Ha!:

I’ve started toying with a cosmology that enfolds the idea that life as we understand it is functionally equivalent to performing on a stage, and that after it’s all over you go back to the audience and watch the rest of the show, maybe even jump back in occasionally wearing a new costume. This song has been going around a lot in my head. The two strands are related, though it may not seem immediately obvious:

Finally, this. Just because this song is fantastic, hasn’t worn off after nearly 20 years of regular playing, and is way more psych than much of the revivalist stuff coming out these days. Does anyone know if they ever did an album? Me wants to know:

 

 

 

Josefin Öhrn + The Liberation

joplustl.jpgHere’s the one that nearly made the last year end list but for getting defeated by Pridjevi for the last place up for grabs. It seems that the late year releases are dominating my 2016.

If I had to describe this music, I would probably use reference points like Stereolab chatting to Laika whilst Garbage and Goldfrapp duke it out in the production chair, giving this a dance-pop dreamy edge. Opener Dunes epitomises this perfectly, motorik beat purring. The quality is superb throughout.

In a weird synchronicity, I’ve been planning this post for a while, my mate put a post up the other day which spurred this thing. Better late than not at all, eh? Anyway, I like this very much.

Anna von Hausswolff – The Miraculous

avhSo, at the beginning of the year I did a compilation post of my favourite stuff of the year preceding. The two final entries on it hadn’t been featured on Soundbergs, although Pridjevi subsequently got one, and now Anna von Hausswolff too… actually because these two albums have been the most heavily played of this year.

There’s a write-up about the album here which goes into some of the philosophy behind it, but doesn’t mention anything about a story running across the album, which I most certainly hear. Wonder whether that is me projecting? Serious resonance, anyway.

Musically, it’s heavy. Not in the Metal sense, though guitars get crunchy and beats get poundy in a couple of songs, Swans have been invoked when that happens. But its heavy because the organ sound is so intense, because Anna tells such a story that fits it perfectly, because of the images it conjures, because it actually has the ability to completely possess the soul when you give yourself up to this album. The word awesome is often used wrongly (i.e. people say ‘awesome’ when they mean ‘quite good,’ when the word is actually meant to refer to marvellous things that are also a little bit overwhelming, scary – its a biblical word, dammit!) but can and should be used right(eous)ly when describing The Miraculous. Not to mention the vocals, which aren’t afraid of pyrotechnics, but are always tasteful and appropriate.

You know how you wake up, and there’s a song in your head? Well, the other morning I somehow managed to wake up and have this entire album in my head. Impossible to describe something like that, although it’s also true that it is impossible to describe music anyway. The only description that matters is this: IFL this album.

 

Thoughts while mowing the lawn

I’ve not discovered any moment shaking stuff for a while, but to be fair I’ve mostly been listening to 4 or 5 albums repeatedly. However, I had this thought whilst mowing the lawn earlier and felt the urge to share:

Music is the interface between living in the moment and eternity.

So the albums I’ve been utterly swimming in are Pridjevi’s debut (you should hear me trying to sing Pjesma o drveću to myself as I walk given that I don’t know any Croatian), Anna von Hausswolff’s The Miraculous, Our Solar System‘s In Time and MatchessSomnaphoria. I’ve also visited Zulus, Rise of the Echo Drone and Big Blood quite regularly. Also I’ve discovered Oneida’s Brah Tapes series, which is wonderful because Oneida. Yet another also: I’m playing Dreamtime and I love them.

However, today has been a good day to be in Leicester. The atmosphere is incredible.

And I’ve just had a most intense deja vu thing happen as I was editing the links.

Wyrd.

 

 

Rise of the Echo Drone

rotedI have literally just discovered these. They remind me of Josefin Ohrn + The Liberation, who nearly made it into my best of 2015 (Pridjevi got there instead, and I have been caning that recently -it’s wonderful).

It’s kind of shoegazy dreampoppy probably psych but I’ve lost track of what that even means now. Very hypnotic.

It’s a home recorded collaboration but sounds very professional. They clearly know what they’re doing. I’ll be following these.

I have absolutely no idea how to pronounce this Réabhlóid word though.

The Soundbergs of 2015

So, by and large, I’m excluding albums I only discovered the last couple of weeks. But not consistently. Also, I’m going to go on about older stuff that thoroughly rocked me this year, so the aforementioned stuff has a chance for next year. Also, confining stuff into years is arbitrary, because years themselves are a bit arbitrary the way we count them nowadays, although they do represent a real cycle. Also, there is no ‘order’ to this list except for the fact that I ordered it into existence because I am a ruthless bastard like that. Also, this paragraph just gained an extra sentence that added nothing to it except extra letters and words.

So: Stuff released in 2015.

Hey Colossus – In Black and Gold : Having just written that this is in no order, this is most definitely the album that brought me the most joy in 2015. I played it incessantly. My subsequent time with their back catalogue brought me just as much joy. And they played a brilliant gig in September. For such a heavy band, they have an incredible way of making their music swing.

Laughing Eye Weeping Eye – Once Was You : This is an album that is utterly unique. It sounds like nothing else, ever. Unless it does, in which case it behooves someone to tell me what that something is. Eerie, droney, a world of its own.

The Myrrors – Arena Negra : Meditative, spacious, at times ecstatic, and they were just as good live.

Les Sorciers Du Theil – Polyte Deshaies : This album came out of nowhere. I think that I may have to give a hat tip to the person who does the psych round up at The Quietus as to where I discovered it. Four heavy and at times insane songs, all bliss.

Follakzoid – III : Kosmiche meets techno, although very heavily in favour of the former. Pulsating, driving, relentless, and very high quality.

Black Bombain – Live at Casazul : Heavy-psych improvisation at its best, with added saxophone. Nuff said.

Alif – Aynama-Rtama : Middle eastern music with an ear for rock-style arrangements. Some of the riffs, the rhythms and arrangements are just mindbendingly good.

Rob Mazurek : Alternate Moon Cycles : Pure, meditative drone. Insanely relaxing.

Big Blood – Double Days II : They actually released two albums simultaneously. Double Days I is a very rare beast – a Big Blood album I’m not overkeen on. But Double Days II is as good as ever, and they finish it off with one of their very best songs. Apparently they’ve got another album ready to go but I see no evidence of it out yet.

People of the North – An Era of Manifestations / Oneida – Positions : Two albums in one entry? I must be having a larf. Essentially the same masterminds though, which is how I justify it. The POTN album has a more jazzy feel, whereas the O album is closer to their classic sound. Both are essential in my life.

Pharoah Overlord – Circle / Circle – Pharoah Overlord : Wot, again? Well, when masterminds use different monikers, it would just be indulgent of me to give them separate entries in a year end list, n’est-ce pas? Repetition, repetition, repetition. It’s what they do best, and it’s what I like best.

Pridjevi – Pridjevi : I never got around to posting about these, and I should have done. So I may still do. This is sunny psych-pop from Croatia, nearest reference point I can think of is Jefferson Airplane, but sunny psych-pop isn’t usually my thing so you may think of more appropriate references.

Anna Von Hausswolff – The Miraculous : Another album I didn’t post on, only bought it in December. She’s brought a band with her this time, as well as an epic church organ. Droney and heavy, and I do like her voice.

Favourite non-2015 music:

Big Blood – The Wicked Hex : Still processing their mighty back catalogue. This is most similar in style to the incredible Unlikely Mothers, and probably as good although Unlikey Mothers contains ‘A Watery Down part 2’ which, if pushed, I’d probably name as my favourite ever piece of music.

Selim Lemouchi & his Enemies – Earth Air Spirit Water : A very varied album featuring probably one of my favourite ever songs in ‘Chiarascuro’ which is probably best described as ecstatic darkness, especially given subsequent events.

Dahga Bloom – No Curtains : There was a time in late Feb and much of March when I barely listened to music due to bad-sinus induced discomfort. This album was one of the few I did, which is odd because it isn’t exactly mellow…

Hey Colossus – Cuckoo Live Life Like Cuckoo / Happy Birthday / RRR : This has been their year as far as I’m concerned. All three of these albums got some very heavy rotation, heavy being the operative word.

Verma – entire discography : I went through a phase in the summer of playing a Verma album every night, without an obvious favourite emerging, so I simply kept rotating them because it is all THAT good.

Follakzoid – II : I now consider this superior to the successor. This is very high quality up-tempo driving kosmiche.

Espers – II : for years I only thought their debut album was really all that good. in 2014 I finally got the follow up, and continued getting it in 2015. I still haven’t quite got the third one; maybe that will come yet.

Puffy Areolas – In the Army / Dishonorable Discharge : although I’ve known the albums for a few years, it was actually this year that they really grabbed my throat, possibly an echo of my discovery and love of Narcosatanicos.

Malayeen : Middle eastern psychedelia at its very best, ecstatic, trance-inducing.

The Wharves – At Bay : this album completely ruled January 2015 for me. Outrageous harmonies supporting great songwriting.

I haven’t included every single thing I’ve posted about, because this is quite long enough as it is. 2015 was an odd year for me in many respects, but absolutely brilliant for music – why else would there be an album from Thee Oh Sees that is as good as ever but doesn’t make the year end? I absolutely luxuriate in the sheer amount of high quality stuff there is out there, and in that respect 2016 has already got off to a superb start.