Pontiak – Dialectic of Ignorance

pontiakI’m a bit late to the party on this one if you want finger-on-the-pulse stuff, but then you don’t come here for that anyway. It’s not why I’m here.

This is my favourite ever Pontiak album, and is currently my favourite release this year. I never thought they’d top Sun on Sun from back whenever it was, but they have done in some style.

What I really like about it is how there’s nothing particularly ‘look-at-me’ about it. The music simply does what it does, which is exactly what music should be allowed to do. The brothers have allowed this music to express itself, the very wisest thing they could have done.

My favourite track is all of them. The grooves are fantastic, the atmosphere incredible, the sogwriting impeccable, and the harmonies reminiscent of Neil Young & Crazy Horse at their most ecstatic.

I don’t think I shall be tiring of this album any time soon.

Heron Oblivion

herobSupergroups are usually such a bad idea. At least, they used to be back in the days the majority of music was released on major record labels. I have a suspicion that it might not be quite so straight-forward now that most of the best music is now located away from the mainstream and those oh-so-glaring lights of commercial expectation.

SO anyway, Heron Oblivion are comprised of members of Comets on Fire and Espers, amongst others, two artists who between them made 4 of my favourite albums from the first decade of this millennium, including one of the contenders for Best Tune Ever (that would be Dogwood Rust by Comets on Fire for those of you not into link-clicking and/or not got speakers available as you read this). No pressure, then. To complete the line-up, Charlie is from Assemble Head in Sunburst Sound, a name I’m familiar with have never heard music by until I searched for that link.

I first read about this when it came out but for whatever reason I did not check it out. Then someone posted a performance in their year end list, and that did it for me. I immediately slapped myself a bit – though not too hard because that would just be silly and I do try my very best not to be silly – and went and added this to my wishlist. And now with payday having been and gone, I bought it. Possibly my one buy for the month.

This isn’t all that much like either of the bands that made their reputations, it has more of a laid back west coast classic rock from the seventies type of feel, the most obvious reference point being Neil Young and Crazy Horse in the Zuma-era. Having said that, though, the music is recognisably by those same players, even though Ethan is actually playing bass rather than freaky guitar and Noel is playing guitar instead of effects’n’drums. The drums are handled by Meg, obviously. The songwriting is superb, the riffs and the playing are all fantastic, and Meg Baird’s vocals are as transcendent as ever. She has to be one of the best of this generation.

But, as with so much to do with great music, the whole is greater than the sum of its parts – yet another reason I don’t tend to go into detail regarding the parts. This album is best digested in a sitting, although as I rarely, if ever, do the shuffling playlist these days then the tunes may very well work in that aspect too, who knows? But do give this album a listen. It has much to offer the receptive listener.