Electric Moon – Stardust Rituals

elecmoonThere are many, many, many heavy psych bands out there who make what sounds a bit like jamming music. There is one such band, however, who are indisputably the King, Queen and Current Drummer of that crop, and that band is Electric Moon. And it is a cause for joy, nay, celebration, that they have released a new studio album.

Stardust Rituals is actually a bit less heavy than they can be, but just as transportative. Komet Lulu brings her vocals back for this release – I mean that in a relative way, as these long songs are still mostly instrumental, but having vocals does add a nice texture and the effects she puts on hers suit the music superbly well. In fact, I think she is the secret weapon that makes them a great band, although guitarist Sula Bassana is a pretty handy force to have in your musical phenomenon. There is also a more eastern vibe going on, plus the organ comes a bit more to the fore early on.

They could have re-done The Doomsday Machine or Lunatics and I would still have been a happy man, but they haven’t. Stardust Rituals is as good as anything else that will be released this year, by one of the all time greats of heavy psych.

ARRM / Lonker See

arrmSo, despite being far too skint to buy anything, the glutton for punishment that is me will keep listening to stuff that’s new to these ears. I mean, it’s not as if I don’t have a decent library already… speaking of which, I have been meaning to do a couple of posts about blasts from my past but I keep getting distracted.

This is a case in point. I listened to this thing this morning whilst supposedly doing some work, and my brain melted in sheer pleasure. I didn’t know what to expect, except that this label has released stuff by Kuba Ziolek under his various guises, and I have a lot of respect for the man. He may be involved with this too – somebody called Kuba designed the intriguing cover – but I’ve found it quite difficult to find anything out about these peeps,  although I imagine it’s entirely possible there’s more than one creative person with Kuba as his salutation.

This release comprises of one loooong song from each artist. The tune from ARRM is pleasantly doom-laden, and quite post-rocky in it’s way, and for that combination to not bore me across 20-minutes of playing time means they’re doing something right. Most importantly,  it obviously set me up perfectly for what was to follow. It was the tune from the brilliantly named Lonker See that melted my brain, though for the first five minutes or so I was a little sceptical. It started to change when the female vocals came in, and from then on it just kept going until a state of ecstasy was reached. This has a more jazzy feel, a sort of chanting, ecstatically doomy work of unutterable perfection. I realise that description is utterly meaningless, but come on – I have had my brain melted. Perhaps we could say the nearest reference point would be a slower Selim Lemouchi and his Enemies.

Because I don’t understand Polish, I don’t know anything about these. The blurb on the page though tells me they have a Discordian thing going on, which may or may not be relevant to anything at all.

Daniel Higgs – viv

vivWhat’s the definition of perfect pitch?

A banjo down a 40-foot hole without touching the sides!

At least, I used to think that was the pinnacle in musician jokes, but then the legendary Daniel Higgs had to go and start doing improvisations with a banjo, didn’t he? And now I like music with banjos in it.

This sort of music could be made anywhere, anywhen. I’m sure I’ve heard Indian ragas with this kind of feel, I’ve definitely heard Hamza el-Din doing stuff with this kind of feel, and probably all the zillion or so other cultures in the world also have their equivalents.

His previous band Lungfish did meditative and repetitive music, so you could argue his approach has been consistent all the way through. He’s done quite a few of this sort of thing solo, my other recent favourite being The Godward Way. The subject matter, when he does sing, is the perennial philosophy. This is the music of a man sitting down and letting the spirit move his fingers. I hesitate to use the word ‘shaman’ because it is a label that has been pinned on so many now and is probably a bit overused, and I’m also not overly confident that we use the term correctly anymore anyway. But, y’know, mystical and cosmic philosophies? Improvised meditative music? I’ll just make myself comfortable.

William Parker – Double Sunrise Over Neptune

parker-dbl-sunrise-book-1William Parker was my gateway into jazz. The first album I heard by him was Long Hidden – The Olmec Series which piqued my interest, particularly the 11-minute Pok-A-Tok at a time when I was beginning to enjoy longer pieces on a regular basis. But Double Sunrise Over Neptune was something else again. Technically, it’s a four track album, but seeing as one of those tracks is less than a minute and is essentially banter, I think we can safely say that this is a three track album, the shortest of which is fifteen minutes long.

The reason I like this so much is because it wasn’t even remotely close to my pre-conceptions of jazz. For a start, Parker keeps repeating the same bassline in each piece. They are amongst the most hypnotic basslines ever, circular, weaving, did someone say Ouroboros (the cosmic serpent, not the various metal-ish acts that have used the name over the years)? They are islands of simplicity amongst the whirling maelstrom of ecstatic expression happening around him.

The secret to enjoying this music, for me, was exactly the same as the secret to enjoying Les Rallizes Denudes, bizarrely enough. Use the bassline to anchor your perceptions and let your attention drift in and out to the various expressions being performed by the other voices and instruments. They are many and rapturous, but there is always the bassline to return to. There are ebbs and flows, crescendos and lulls, but always the bassline. (Has anyone noticed I’ve got a thing about bass?)

From here I was able to understand more and more of the jazz approach to musical expression, although my favourite incarnations have always been the long and hypnotic – I think it’s fair to say that that’s largely true of most genres for me these days.

So, I don’t have a handy way of embedding the album or demonstrating the whole thing apart from the opening – and shortest – track. You’ll have to take my word for it, though, that this is a wonderful example of transcendent music across the entire album.

And, whilst finding the things I’ve linked for this post, I let the embedded tune play to it’s end as I wrote the main body of the text. And you know how Youtube automatically selects a next piece for you if you don’t take an active role? Well, I’d never even heard of Ronnie Boykins, but damn…

City of Djinn – Ether and Red Sulphur

citydjinn

It’s just possible that when I’ve said that what I really like is psychedelic music, I may have meant what I really like is music that puts you in a trance. Trance music. But not as it is popularly understood. See, this is the problem with labels…

This is proper trance music, as in, music that puts you in a trance. I’ve been here before with people like Alif and Malayeen, and I also like to think of Hamza El Din in these contexts. This is a much more lo-fi take, as it sounds like it was recorded in one take in someone’s living room, fluffed and flat notes included. But I love it. I hope they do more music, and that I may get a chance to hear that too.

City of Djinn (link is to F***book page, sorry) is two geezers, Marwan Kamel and Micah Bezold, who frequently sound like more. They use a variety of instruments, possibly not at all the same time but then I’ve not seen it, merely heard it. It is a very spacious sound they make; very meditative. But these are not short pieces, so do set aside a bit of time in order to grok this fully.

Mixpost 3

Seeing as the last mixpost was an exclusively dub one, let’s start with more of the same. I discovered this whilst sitting in Mad Arawak’s lounge as he DJ’d it last Wednesday evening. I don’t know if he has a regular schedule, but when he dj’s, he dj’s here.

Cyrenius Black – No Bad Intention:

I’m about to go to some session where people talk about the library of the future. The cynical part of me was immediately cynical, which is good because that’s why I give it ego room, but also proved impeccable taste in music by reminding me of this tune from the equally good album, Welcome to the Afterfuture.

Mike Ladd: 5000 Miles West of the Future:

I’m going to wax very lyrical about this album sometime soon. In the meantime…

Karina Vismara – Sooner or Later:

I cannot get enough of Fela Kuti at the moment, pretty much anything he did. People don’t realise just how psychedelic this guy was. Maybe this will wake people up to it. Not that it matters that much to me what labels people put on others music, but, y’know. If you have a pipe, stick this in it and smoke it.

Fela Kuti – It’s no Possible:

This is my first attempt at embedding something from the Free Music Archive. Obviously it’s Big Blood. There is never a period of more than a few days when I don’t play a Big Blood album. No other artist can make this claim.

Big Blood – Out of Turn:

https://freemusicarchive.org/swf/trackplayer.swf

This song just rocks.

Zulus – Gemini:

For all that I’ve namechecked Parson Sound over the various posts I’ve done, I’ve never given you a link. Here’s a 20 minute tune, From Tunis to India in Fullmoon (on testosterone). Especially for my bro.

 

Nudity is God’s creation

isgodscreationRoughly some time ago, I and my friend Gareth swapped music via the then quite new method of the USB memory stick. He glanced through the list of folders on my 4 gig kingston and said, ‘blimey, I’ve only heard of about 5 of these and I thought I liked obscure music…’ Also, he could not get over the name of Kiss the Anus of a Black Cat. Also, he discovered Appliance, who were wonderful and really deserve a long devotional post from someone.

Bantering a couple of years later, he said to me ‘the thing about you is you like albums so obscure that even the band who made them forgot they did it!’

Which made me immediately show him Nudity’s Last.Fm page:

lastfm

(sidebar: go on, do an internet search for ‘nudity.’ I dares ya).

Now, since the above exchange, I think munikate has actually edited the comment, because it worked even better in context originally than it does now, although it still works a bit. Can you enlighten, munikate?

Still makes a good story though. Also, when I wrote my comment, Sons of Itto were in the similar artists. That may have been because Nudity’s listener count was barely higher than ours, and I was caning both at one time.

I was caning the ‘Winter in Red’ album in particular (which munikate seems to have called the nightfeeder’s album), and this thing makes up the latter part of Nudity is God’s Creation, released lately on Cardinal Fuzz. The first part is made up of Nudity’s self titled debut, and there’s a couple of unreleased tracks separating them. The albums were initially released only on limited CD-R runs, and my exposure came via another swap with someone of various files. Remember, kids: home taping is killing music.

Both releases were and are fantastic. The first is more roughly recorded and produced but has a wonderful energy about it. The second section of This Man may have predicted the emergence of the rather good Narcosatanicos, whilst Moon Druids is just batshit crazy in the best possible sense – imagine pastoral psych done in a NWOBHM style.

The latter part of the album, which I shall insist on calling ‘Winter in Red’ until someone from the band tells me not to, has a mere three tracks but will take a lot more of your listening time than the self titled. Naturally, I love it! Most deffo is this music my brother would not like. Take a groove and/or a riff and just keep playing the fuck out of it. If finale Le Premier Voyage du Captaine has you drifting off, I can promise you that the way they end it will wake you up. Also, it’s more than a bit like Parson Sound, which I usually consider to be a good thing.

The overall mashup is probably best described as a psychedelic mashup between AC/DC and Thin Lizzy, with hints on some tunes from Julian Cope, particularly in his Jehovahkill era.

If you like this, they are still around and putting stuff out – check out Astronomicon from 2015.