Mixpost 6, or soundtracks to the cave

Buses, eh?

So, when I say I’ve been locked away recording, what I mean is that I’m using my upstairs bedroom PC which is not internet enabled. I still have a job to do, and other boring things where I can at least still refer to my music library. I mean, that’s why we have them, right?

I was listening to the first Menimals release after a sweaty session the other night, and tracks 2 and 3 in particular gave me indescribable pleasure. I had one of those moments where I had to give thanks for being alive at the time when this music was made. So it seems apposite to kick off with this:

I’d forgotten about this, found it whilst going through some old CD’s I’d ripped over a decade ago. They almost out-Cave Nick on this one:

Madrugada – Black Mambo

We’ve had what we in the UK think of as a batch of hot & humid weather lately. My crappy weather app kept promising thunderstorms, but not once was a promise fulfilled. Accuweather, for that and many other failures of forecasting, I want to say publicly that you’re shite. (sidebar: what a gig weather forecasting is. If I was as good at my job as the average weather forecaster, I wouldn’t have a job anymore. Yet still we glue ourselves to their predictions. The human need for certainty is probably the root cause of all our troubles, not the crappy explanations we then argue over and start wars over and then say that’s what the problem with humanity is.)

*cough* anyway, here’s a storm related tune:

Little Axe – Storm is Rising

So, as an upshot of that Rusalnaia album I’d blogged about, I did something I occasionally do which is to click on a random fan, follow their taste and see where that led me. It ultimately led me to the collection Wahkeena Sitka, who makes the song below, which also comes with a seal of approval from my daughter, even though it’s of a type neither she nor I listen to much:

Back when Sexwitch first came out, I read a lot of utter bollocks from armchair critics who wanted to tell Natasha Khan she wasn’t allowed to reinterpret music that is of Pakistani origin even though she herself has roots there. I made the mistake of allowing that to put me off a bit and I wish I hadn’t. Music is as music does and will always speak for itself, and I fucking love what she’s done and I say do it again.

Pontiak’s new album is their best, and I really should do a post on it. While I think about that, listen to this:

and I know I only recently banged on about this, but it rules, it really does. Have it now, and have it loud:


Mixpost 2: dub-bergs

I mentioned in passing the idea of doing a dub mix post, which is a silly idea.

Most truth started life as an outrageous claim. The outrageous claim for this tune is that it is the first ever dub 45. Maybe it is?

Which Lee ‘Scratch’ Perry song to choose?

Fuck it, I’ll cheat and give him a sort of second appearance:

Those of you who have the compilation mindset (if you have, you know what that means; if you don’t know what that means, you haven’t) will have your own versions of this – a song that may not necessarily ever reach an all time top-50 if forced to name one at gun-point, but nevertheless is always in contention for your next mixtape. This one was one of those for about 10 years for me, from the compilation album that did so much to get me into dub, Crooklyn Dub Consortium vol II:

Another one from the Certified Dope vol II album. This samples a King Tubby tune called Dub Fever:

I do believe I may have mentioned this song before:

I could go on for ages, but my PC is old and laggy and I’m really killing it now. I’ll therefore finish with a bit of French electroclash, from the 2005 compilation French Dub system 2.0:

Fuck it, here’s one more… the rather good Alpha & Omega: