Nordena – Continent

I’m fooling you into thinking I’ve discovered a new artist here. It’s actually Tamás Olejnik, he of the wonderful Organit albums that I posted before.

Not being anything remotely like an expert in the genres and subgenres of techno and deep house and electronica in general, I’m not sure what makes Tamás say ‘this is a Nordena tune’ or ‘this is an Organit tune.’ I admit there is a subtle difference in them though I couldn’t explain what, though it’s taken me a couple of listens to even get that far. But it has the same effect on me as the Organit stuff: deep hypnosis that is ideal for the spreadsheet catatonia /cataloguing and amending MARC records for ebooks /problem solving for same with which I spend my working life.

Every bit as trancey as you want it to be.

Haram Tapes – Scorpions & Fountains

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This is one of those that I discovered by trying out something that one of the fans I follow on Bandcamp had bought. I have zero idea why I clicked on this one in particular, but am very glad I did.

Some of the titles are fabulous, which is why it gets to be a political album despite being largely instrumental, like the awesome Welsh drummers some posts back. But great titles are only pithy phrases unless they’re backed by something excellent to be a title to, and these things are.

Not a guitar in sight, though, for those of you who prefer my more guitar oriented posts.

Organit – Komplex

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Music doesn’t need words, except for the words contained in the music (if any). Music doesn’t need a reason, except for the reason contained in the music, or the music contained in the reason.

I’ve not made sense yet, and I’m not likely to any time soon. But I do like to revel in the unexpectedly welcoming sonic waystations I find in my mental travels, or travails, insert as appropriate. Is insertion ever appropriate? I really hope so, and soon, but that’s a different story.

You mean this is a story? Why didn’t you say?