The Iditarod – The Ghost, the Elf, the Cat and the Angel

iditarod

Of course, when I say classics, I mean my kind of classics.

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Laughing Eye Weeping Eye

a2331277226_16I really don’t know where to begin with this.

And that is a good thing.

This is where drone, folk, what is probably a harmonium, and tarot cards meet. This is particularly good for me, as these are all some of my favourite things, although by way of a disclaimer, I should point out that I have many, many favourite things. It’s one of the very best things about getting older.

I mean, I’ve labelled it ethereal, and in many respects it is, but it is also an amazingly material sound. There’s a density which complements the obviously etheric inspirations. If I was a ‘proper’ music critic, I’d be trying to think of a new genre name now.

And it sounds likeĀ absolutely nobody else I’ve ever heard. Again, in a good way.

The website of the main player, Rebecca Schoenecker, is here. She’s about a lot more than the music. Have a look at this video for a tune that isn’t on the album I’ve embedded:

Probably the best thing I can do is stop typing. Probably the best thing you can do is listen.

Crow Tongue

I promised loud, and actually this is… intense.

crowtinguethumbMuch like the album from Valerio Cosi that I bigged up some posts back, Ghost : Eye : Seeker doesn’t seem to be fully listenable online anywhere so you’re going to have to take my word for it, although you can listen to a couple of the tracks here and here.

For those of us who have some experiences amongst altered states of consciousness (although technically watching TV is an alteration of your consciousness, albeit reducing its scope; I mean in the way our culture currently understands the term) this album is a route into a different way of seeing that requires no extra inputs. Playing this album in the background is a waste of electricity; you have to engage and listen to it. It will put you in a trance-like state every time. Well, it does me.

Other people have used words like raga, drone, avant-garde, free noise, improvisation in trying to describe this. Certainly those words make sense once you’ve heard it, but they are not complete descriptors (can any words be? This attempt by Julian Cope, much as I respect him and his music, represents exactly why I don’t want to try too hard to describe music myself… although I am fully on board with the sentiment). All I can say is thank the lord for random fans putting up songs on Youtube so that you can listen to at least some of it, although the second clip I linked has to have pretty much the least relevant image to accompany a song I’ve ever seen.

As for why I’ve categorised this as experimental psychedelia, I personally ‘define’ music as psychedelic due to the effect it may have on my consciousness rather than whatever stylistic conventions it may follow. I shall get more into this on part 3 of my ‘passion or pastiche‘ series.