The Telescopes – Hungry Audio Tapes

telescopes

Life contains an inherent unpredictability field, one of the most vital building blocks if I may be forgiven that clumsy analogy, although all the blocks are vitally important for Gestaltic reasons. But this Unpredictability Field is often – nay, always – overlooked. This is where the creative spirit comes from, those who seem more creative have a stronger manifestation of this field. One effect of this is that being with them makes life more unpredictable! Obviously.  An example here is weather forecasts. Somebody with a strong field will believe that weather forecasters are charlatans because all the predictions seem to be little better than chance added to easily observable patterns that anybody coulld work out given two functioning eyes.

An important distinction must be made here: unpredictability is not the same thing as randomness.

This is why attempts to build life are going so badly; those attempting to build are not accounting for unpredictability as it cannot be reduced to a detailed description. It has no atoms or its equivalents.

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Bonnacons of Doom – self titled

bonnacons

Everything happened at once. I couldn’t make sense of it all so I split it up into a series of events that seemed connected, which I tried to experience in succession in the hope that this would render it sensible, but the information was still too intense, so I fractured myself into myriad perceptual units so as to take in one little fragment at a time, but even these chunks were unmanageable so I had to imagine new and unheard of angles from which to perceive so as to widen the scope of the possibilities unto almost infinity as far as I could make out. Even then, I had to get the separate units to reproduce themselves at regular intervals, and still the information kept on coming. Indeed, it seemed it was expanding to fill every perceptual space I was creating. I needed to think of a new format.

Lonker See – One Eye Sees Red

 

lonker

 

I transformed the light into darkness
simply by closing my eyes
I transformed the darkness into light
simply by opening my eyes

I am you

Disguised as me

Remember that in your dealings

The dinosaur chases the Christian and hounds him till the end and says
‘when I come back, I want to be a materialist.’

(the) Dead Sea Flowers – Cult of Sargasso

sargasso

Imagine, right, that the human race gets wiped out in such a way as to leave behind all of our works – I dunno, a virus, really virulent, incredibly fast acting. We didn’t stand a chance. And then, as luck would have, we actually are visited by beings from another world. They land, they take a look around, they see signs of life (you know, frogs, trees, foxes, free-market cheerleaders) but no signs of yer actual intelligence. And yet, puzzlingly, there’s all these artefacts. Football stadiums, for example: what would they make of them? Factories, some of them including forklift trucks. Some of those sexy sensual temples in southern India (that’s a religion I don’t mind signing up to (typical bloke response)). Postcards. CD’s. toy aeroplanes. Real aeroplanes. Helicopters. ‘mobile phone antennae.’ Wires. Offices. Essex. Ironing boards. Et so on.

Would they recognise these as artefacts of an ancient but extinct civilisation?

I suppose it depends on their own ascent up the evolutionary ladder. It’s bound to affect their perception of what constitutes intelligence. Bit like how the Europeans were when they encountered other countries with different coloured people who did different things differently. ‘You must be savages!’ we screamed, and promptly tried to ruin them and their descendents.

In other words, how enduring are artefacts if there is no-one to explain their purpose?

Therefore, what exactly is legacy?

(Pyramids, I want me some pyramids…)

Anna von Hausswolff – Dead Magic

deadmagic

A frame is empty on the table
I wonder if a picture went within
it stands alone upon the table
an object with no sense of in between
so I take it with me to the station
to see if I can fill the frame back up
I’m instantly surrounded by a halo
because the frame comes with baggage-laden love

so I’m drinking coffee in a cafe
the clocks are singing that it’s night
I’m holding auditions for the picture
and waiting for the hopefuls to arrive
the frame is getting pretty restless
nothing likes loneliness for long
but you can’t just force things together
especially if they don’t have a bond

I left the frame with the cafe owner
if a picture comes along he’ll let me know
but it wasn’t my nest to open
so it isn’t my burden to let go
for every picture has a moment
a time that it will capture you inside
but all of my pictures have been broken
there are no pictures in my mind

 

Abronia – Obsidian Visions / Shadowed Lands

abronia

In the first place was the winner of the people chase, a lank haired fox named Orville, who won because of the magic imparted by his evil anvil. Orville, who counted several devils amongst his drinking accountants, promptly took his previous second best certificate and rolled it into a ginormous reefer which hit him harder than his hammer and he had to put it down. The people got away again, thus setting up a new race, this one won by His Majesty Gumley St. Helene-Trouser Slew, whose corpulent incompetence was passed through the ages to a present that neither knew nor cared as now is the time and cares nothing for tradition because tradition is history and history doesn’t exist. So the people got away again, the shackles giving up in a wimp of smoke and this time the moguls went after them – by this and by that they did keep gesticulating, transforming life into matter and then selling it as the status they craved. But the moment ignored them – after an enlightening experience it takes long persistences of abuse to make one forget that light but it only takes one instant flash to undo all that damage and see all the abuse for what it really was.

Bardo Pond – Volume 8

bardo8

Initially, we built a wall. It started off as a small wall, then it became a big wall and a thick wall and a wide wall and then people wondered whether or not we could build a wall that we couldn‟t climb or scale in any way, but we left that worry to the worriers.

One thing we did concern ourselves with, though, was just how boring the wall looked, so we started to decorate it (in practice, little people had been putting their little illustrations on already, many of them denigrative of the wall). So we split the wall up and sold off squares of it, and those squares were duly decorated with whatever the owners of those squares wished, plus that which appeared spontaneously, often in reaction.

But it was becoming apparent that the wall was costing a lot to maintain, so we started importing the bricks from south east Asia, as we had people over there, and they were able to manipulate things so that it actually became cheaper for us in purely monetary cost considerations (are there any other cons iderations to consider?) to import the bricks from Chinesia. This held for a while, and the wall grew ever higher, and its decorations became so elaborate that many observers didn‟t even realise there was a wall behind the pictures.

Soon, the pictures were all that remained in the popular memory, so we saw that as an opportunity to sell some of the more expensive bricks, as the projectors maintaining the illusions were of such high quality that they could project their nothing onto nothing itself. So we con tinued selling our bricks, slowly at first, and then more rapidly as they became more sought after, and the by now moving pictures reassured everybody that everything was fine and normal and the wall is as indomitable as ever.

But, in practice, the wall had completely gone, and the profits from the sale were draining away on keeping the projectors fed for the image parade, because, without those images, the people would realise what we had been up to, and we couldn’t let that happen, oh no, not at all.

So we made the images brighter and louder, repeating only the most successful images, and in the meantime, cast about for some new bricks