Wasted Cathedral – I’m Gonna Love You ‘Til The End Of Time

I’m probably the last person to comment on the incongruity of artist name versus album title. I actually have nothing useful to say, other than that, to me, the combination is incongruous.

Meh. Regardless, the album is really rather good, and by really rather good, I mean excellent. My only minor quibble is that the short pieces are good enough ideas in their own right to be fleshed out further than they are, but as long as they’re good, right? Right.

The longer pieces are well trancey, which is something I’ve rattled on about loads before so I won’t again, except to say that if you want to lose youself in some monging drone, then this here is for you.

Dude here also does other things – The Switching Yard, The Radiation Flowers, and Shooting Guns.

I actually meant to post this the other day with those other two posts I did, but my mind went blank. There was also another one too, but that isn’t acyually released til the 23rd of this month and you all know how I feel about posting stuff that isn’t actually available yet. I’ll try and remember on the 23rd.

ZAÄAR – Magická Džungl’a

I think this might be my find of the year, saved right until almost the very end. But first I have to know – what is that accent thingy over the middle a in their name? Does it change how you pronounce said name? Me ignorant Englander. Actually, I don’t know how to pronounce any of it.

I’ve had at least three images evoked whilst listening to this – a kind of middle eastern bazaar (though I’ve never been to the middle east, or indeed a bazaar), the early stages of a long night dancing round a campfire when everyone is gradually getting into the sounds and rhythm, and a kind of sordid, late night carnival where the pleasures are unexpected and never subsequently spoken of (sadly, I’ve never been to that sort of carnival either).

It’s kind of jazz, I suppose, though very psychedelic and with regular, hypnotic pulses. Spacious, yet dense. Loads going on, but loads of room; an all encompassing sonic experience. There probably are reference points, though I know them not. Perhaps the nearest I can think of, albeit still distant, is Miles Davis’ Get Up With It, itself a very fine album and one I should listen to more.

And on that note, I wish you all a marvellous 2022. May the music you find be especially resonant to you.

Spring Temples – Live at Shining Path

This is ambient, very mellow but also very trippy. I discovered it by a chance I now can’t remember and played it to accompany spreadsheet catatonia at work, and it was very complementary to that state. That isn’t a recommendation? Why on earth not?

Spreadsheet catatonia, sadly, is the only mind-altering state I do regularly these days. Actually, the only one I do at all.

Pärson Sound

I know I’ve used this name a lot in past posts when attempting to point signifiers to other artists, so you may be wondering why I’m posting this like I just discovered it, or something. Well, I just discovered it, or something. Discovered that it had been made available on Bandcamp, anyway. How long it’s been here, I have no idea. It’s not as if I keep a list entitled Albums I Like That Are Not On Bandcamp and regularly check for changes like some kind of librarian checking to see if Ebooks have become available for old print books that happen to be on reading lists (that does happen, and probably not just where I work).

So, for mind-bending psychedelic rock, this is ground zero. I wish I thought of that line but I didn’t; however, it sums up this album so well that I thought I’d nick it. When I first became aware of this in 2010 or so it truly astonished me, particularly the 29 minute Skrubba which actually fades out, can you believe it! I mean, how much longer did they actually jam that for?

So this is the only album by this artist, though they incarnated with mild variations in name and personnel over the next few years. But if only one album is your legacy, then why not make it the ur-psychedelic rock album?

Oriente Lux (self titled)

So, that thing I was saying the other day, about seeming like a proper fanboy. Well, I must seem like a PR plant for Valerio Cosi sometimes. Or, at least I would if Soundbergs had a following.

Here Valerio collaborates with Brad Rose, something that took longer than a decade to bear fruit. It is a truly sturdy resulting flower of music, as eclectic as I’ve come to expect, and as difficult to describe. (Cue rambling old man rant about how music shouldn’t be described because it can’t be described, just experienced).

Gnod – Easy to build, hard to destroy

Because I mentioned this to Chris on Saturday. This is probably my go to Gnod album at the moment. This is them doing trance and repetition unto infinity.

For those unfamiliar, this is a compilation of tracks, jams and grooves from earlier in their history. These days they tend to the louder and angrier, and whilst it’s still good, I always preferred this approach.

I mentioned on one of my posts yesterday about Tony’s First Communion, amongst my fave ever tunes. Well, there’s a kind of proto-version of it on here. It’s not the the same as the one on Crystal Pagoda, which is also well worth your time.

The Oscillation – Untold Futures

Whenever I really like a band, I start to feel a bit self-conscious always posting their new releases, like some kind of fan-boy. Having said that, I do still do it when a) I remember, and b) said release is up to the standard I expect of any Soundbergs resident.

So, The Oscillation is one of those artists. Hang on, says the odd reader who has more brain cells than me (which is to say, all of you): why ain’t you got one of dem hyper-links in the band name at the beginning of the sentence? Why does my memory not contain a record of a post about these around ‘ere?

Because I never got round to posting anything about them before, and for that I am a fule, a fulish fule.

I would say you all know who The Oscillation are, and you don’t really need me to tell you why this is good, though I should not assume anything. But, you all know… etc. They’re very good. And, because I haven’t got a whole history of Oscillation posts where I really should have, can I at least point you to the live album here? It was this that sold them to me in the first place. Brilliant collection of tunes.

As Demian has been playing with distinctly non-standard frequencies on some of his releases, I would be intrigued to know if he does that on the band-like releases. I’m curious as a fellow frequency-deviant, who does stray from the norm on all official recordings now.

Nova Express – Twenty One

I have a colleague at work with whom we discuss music fairly frequently and through each other we have discovered some good stuff over the years, although some of the stuff I’ve tried him on has been a bit hard for him to bear – he described Gnod as Pink Floyd having a bad trip after I played him Tony’s First Communion (one of the best pieces of music ever, imo), and said he’d rather pull his own teeth out than listen to Oneida again.

Anywho, a success story was a band called Appliance, who I’m sure you all remember from the beginning of this cursed millennium. He said to me that he couldn’t believe he’d missed them as he was well into that type of music then and he was familiar with all their contemporaries yet Appliance completely passed him by.

I feel somewhat that way about Nova Express, who I now know to have been around at that time too, though I didn’t then. And whilst I’m not going to claim that my journey into repetition and minimalism was complete by that time, it had certainly started and I’m convinced I would have done the listening equivalent of feasting on this stuff.

Be that as it may, I know it now, and I know it gladly.

Raed Yassin – Archeophany

So, one of the things about no longer working from home is that I don’t spend so much time checking out new music. However, that doesn’t really excuse the length of time since my last post since I have about 10 albums I think should be shared widely, so the real reason is that I didn’t do any posts. Also, I moved house. Also, I spent time finishing off an epic project of my own stuff, which I may or may not write about at some point.

I discovered this through the Quietus. It is most experimental, most hypnotic, most droney, and, like an awful lot of stuff I post here, I have no idea where to begin describing it apart from what I have already typed. The opening piece doesn’t really prepare you for what comes after, but it does give a reason for the closing piece.

It does, at times, remind me of Malayeen, albeit that might be me being lazy because of relative geographical proximity.

Valerio Cosi – Heavy Electronic Pacific Rock

This album title may make you expect something other than you will get. One more reason to love it.

See, this album has been a part of my life for well over a decade, now. I posted it not long after starting Soundbergs using a Youtube link. However, the great man has now added it to his bandcamp, remastered.

Simply put, this is among my very favourite albums ever. Despite the length of time it’s been in my collection, it still gets played regularly. The opener in particular has a strong claim to ‘favourite peice of music, ever’ (although I don’t believe in absolute favourites and would never dream of compiling some kind of all time top ten or any other arbitrary number).

This music is trance in its purest form, and absolutely ecstatic at that.