One Dog Clapping – Luna Takes Asylum (The Lunatics Return)

Luna bandcamp front

So, once I finished that series I did last year, I did, as promised, put my guitar down for a bit and listen to some music other people made. But I also had sessions of listening to my archive, probably for reasons of vanity but using the excuse that I wanted to hear it to get a feel of the context of what I’d done. And one thing happened quite soon – I was listening to Are You Hanging Comfortably? from this here album here, and I was getting annoyed by it. This had always been my least favourite album, largely because it was the last of the trio of albums I’ve since come to think of as the slapdash 3, and I was going through a period of self-doubt at the time I originally finished it which will also have coloured my perception of it. But as I listened to and got annoyed by the aforementioned track, what was bugging me the most was that I thought it was a decent tune thoroughly hidden in bad recording and production. ‘Well then,’ said an all-too familiar and frequent thing I’ve come to call That Bloody Voice In My Head That Always Thinks It Bloody Knows Best, Usually When Saying I Bloody Told You So, ‘why don’t you re-record it?’

Aaaand one thing led to another and here we are.

I haven’t spent all year on it; I’ve actually concentrated on new stuff seeing as I had a guitar in my hand anyway. But I decided to lean into the Mercury Retrograde periods by focussing on this during those, and those of you who know about such things will note that one has indeed just passed, and this timing isn’t a coincidence. Well, it is, but it’s more than just the coincidence of two things happening at a similar time.

For those of you who may have heard the original, this is different in ways more than just re-recording it. The opener on the original was called Lance, Speak, Deafening. Well, Lance… met and married a song I’d only ever recorded on 4 track in the 90s called 1000 Howling Devils and they had a child and that child now opens the album. Also, the original track two just wasn’t satisfying me anymore. I therefore replaced it with a song that was not only written contemporaneously but is also coherent thematically with the album. The rest of the songs are as they were, with some or more lyrical revisions.

I’ve also done something I haven’t done before by putting a nominal charge on the album, though each track does come with its own artwork now; the lyrics decorated with my inimitable doodles, and then inverted in some program or other. I’m going to add such things to my other albums over time, so if you want those others while they’re still Name Your Price, get in there now.

It is not beyond the realms that I may update one or two other albums during future Merc-Rets. However, the next thing I’ll put out, and it may even be this year but if not will certainly be early in the next, will probably be called Influx Arena.

Finally, I am incredibly and unimaginably indebted once again to my friend Chris Hall who helped me with Tech just as a typically merc-ret thing happened and my PC went dead when I was very nearly finished with this. Thanks again, Chris!

One Dog Clapping – Hills to Die On

hillsfrontcover1600.jpg

I could write a whole essay, nay dissertation, on the travails of getting this thing over the line due to PC breakdowns, temporary patches, surprise findings of old pcs in a cupboard, etc. I’m not going to, as it would be of very limited interest.

So this is the yin to The Castle is Burning!‘s yang, or vice versa, I’ve currently forgotten which one is which. I call this my positive album, whereby we find the pockets of light in the darkness that are worth living for, and thus also dying for. The tl;dr┬ásummary is: love, authenticity, dreams, banishing fear, and variations on those themes.

Once I’ve adapted to changed settings (for which credit and huge thanks go to my friend Chris Hall), I will get on with the next in the series, which will be Alternarratives.