Raed Yassin – Archeophany

So, one of the things about no longer working from home is that I don’t spend so much time checking out new music. However, that doesn’t really excuse the length of time since my last post since I have about 10 albums I think should be shared widely, so the real reason is that I didn’t do any posts. Also, I moved house. Also, I spent time finishing off an epic project of my own stuff, which I may or may not write about at some point.

I discovered this through the Quietus. It is most experimental, most hypnotic, most droney, and, like an awful lot of stuff I post here, I have no idea where to begin describing it apart from what I have already typed. The opening piece doesn’t really prepare you for what comes after, but it does give a reason for the closing piece.

It does, at times, remind me of Malayeen, albeit that might be me being lazy because of relative geographical proximity.

Alif – Aynama-Rtama

 alifThere’s something about the music made in and around the mediterranean area which seriously appeals to me, from the desert blues of North Africa (some of which I shall bring you at some point) to the wonderful Malayeen who I mentioned earlier this year, and many stops in between.

 The story for this album is detailed on the bandcamp page so I shan’t rehash it here. What I shall say is that I like this album so terribly, terribly much. It obviously sounds like the area it comes from, but there are also hints of Hamza El Din (could be the oud playing) and a certain bluesy feel, reminiscent at times of the why-weren’t-they-household-names Little Axe. Some of the tunes aren’t afraid to incorporate western rock leanings, too. It is yet another album that has me floundering for descriptors, which proves to me that this is the real stuff. I’ve got something brewing about that.

Love the album art, too.