Loosers – Hot Jesus

loosersBefore I go off on a larger point, let me tell you about this album in my wishlist by an outfit called Loosers.

Hot Jesus is a sonic mishmash of hypnagogic 80s style synths and AOR blended with early 90s rave-culture sounds, mixed with a kind of kosmiche style repetitive delay-guitar riff style supporting a more solo-ey approach. There’s a rock rhythm foundation with percussive polyrhythms appearing regularly, sometimes approaching Gamelan structure in complexity.  The last tune particularly puts me in mind of Nathaniel Mayer. If you can think of a handy label to accurately convey what I’ve tried to describe there, feel free.

Loosers themselves are a Portuguese group with whom I was previously unfamiliar; on this release they are joined by vocalist Jerry the Cat, who has spent time with Funkadelic it says here. They are remarkably difficult to find anything out about, though.

Of course, I would like to know what their name is communicating at me. Are they a collective of people who are looser than everyone else? Or are they making what is a sadly all-too-common mistake these days, and they actually mean Losers, as in people who lose rather than win?

For those of you unaware, if you mean the word where you’re not winning, you only want one letter o. If you have two letter o’s, you literally loosen the letter s that follows into the softer sounding version. The one where it sounds like a z requires only one o.

Do you see what I did there? It supports my larger point, which is to do with the power of language. Language is the oldest technology that man has consistently used, and it has continually evolved for that length of time too. This means that the tool we have at our disposal, if used properly, is incredibly powerful. It’s not perfect, though, and I reckon that’s probably my underlying theme in my more creative aspects, particularly the doodle-blog.

Unfortunately, people are more and more slapdash in their use of language these days. I’ll give you an example – the word ‘awesome’ is an adjective from the word ‘awe’ which actually means something mighty, something to be marvelled at but also to be feared more than just a little bit. The word ‘awesome’ as it is now popularly used, though, simply seems to mean ‘quite good.’ (I would refer you to a ghastly youtube thing called Little Kelly, but actually, no, stay away, for the love of God, stay away for the good of your sanity).

Words are used out of context more and more often, people simply thinking that others will know what they mean. No, we do not know what you mean because we are not you (except on a much larger metaphysical level, maybe, but that’s a discussion for another time and person). And it is my hypothesis that the reason we have such a confused world at the moment is because people are not clear about what they say to each other. Communication is incoherent; ergo, the world is incoherent.

So, think about the words you use. Yes, this may mean you use fewer of them. Probably that would make social media much less busy. What’s not to like?

Of course, if Loosers are in fact a collective of people who really are  communicating that they are looser than the average, then the above opinion is not relevant to this post. I still stand by it, though.

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Mixpost 1!

I do have albums to tell you about, and I will do some of that again soon. But I just really feel the urge to do this:

Various appalling sonic viruses try and worm their way into my head and find a formidable defender, my very favourite piece of music ever made (at least, at this moment in time). So effective is it that when, say, the theme tune to I Can Cook wants to go around my head regardless of my choice in the matter, I simply have to summon up my memory of this and Boom! my head contains quality for the rest of the day:

Because of Nadja’s turn on Dusted’s listed feature, I’ve been seriously back in the love with Pharoah Overlord. The album from whence the featured track came (Lunar Jetman) has proven to be impossible to get hold of from all my sources – even Ektro Records doesn’t list it, and it allegedly came out via them! These Finnish avant-garde types are definitely originals; I can’t work out their distribution methods at all. Marvellous music, though. Any suggestions welcome, subscription services need not apply:

Thanks to the Can You Get to That blog, I now know about Kraftwerk doing a song about Heavy Metal (or something):

Back in the very early years of this century, I quite relentlessly played the self titled debut album from Sona Fariq. Since it was on a major label and everything, I thought it would be the work of a click to find my favourite track from that on Youtube. Not a bit of it. The best thing I can find is this live video which has appalling visual quality. What gives? Which means that I currently have to shelve the post I was going to do about this album unless I create a youtube account, figure out how to marry music to visuals, and upload it all myself. Ha!:

I’ve started toying with a cosmology that enfolds the idea that life as we understand it is functionally equivalent to performing on a stage, and that after it’s all over you go back to the audience and watch the rest of the show, maybe even jump back in occasionally wearing a new costume. This song has been going around a lot in my head. The two strands are related, though it may not seem immediately obvious:

Finally, this. Just because this song is fantastic, hasn’t worn off after nearly 20 years of regular playing, and is way more psych than much of the revivalist stuff coming out these days. Does anyone know if they ever did an album? Me wants to know: