Spökraket – In A Witch Forest

spokracket

Should have posted this when I bought it.

Didn’t.

Posting it now.

 

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Electric Moon – Stardust Rituals

elecmoonThere are many, many, many heavy psych bands out there who make what sounds a bit like jamming music. There is one such band, however, who are indisputably the King, Queen and Current Drummer of that crop, and that band is Electric Moon. And it is a cause for joy, nay, celebration, that they have released a new studio album.

Stardust Rituals is actually a bit less heavy than they can be, but just as transportative. Komet Lulu brings her vocals back for this release – I mean that in a relative way, as these long songs are still mostly instrumental, but having vocals does add a nice texture and the effects she puts on hers suit the music superbly well. In fact, I think she is the secret weapon that makes them a great band, although guitarist Sula Bassana is a pretty handy force to have in your musical phenomenon. There is also a more eastern vibe going on, plus the organ comes a bit more to the fore early on.

They could have re-done The Doomsday Machine or Lunatics and I would still have been a happy man, but they haven’t. Stardust Rituals is as good as anything else that will be released this year, by one of the all time greats of heavy psych.

Ecstatic Vision – Raw Rock Fury

ecsvisionIn a still loud but otherwise quite contrasting way, this is the just-released second LP from Ecstatic Vision. I have no idea what their first is like, also having no idea how I stumbled across this – when I did, I was only able to hear You Got It or You Don’t, but I was sold on that thing alone. But now I can listen to the whole album, well, damn Daniel, the whole thing is just mighty fine.

I would personally describe this as a kind of garagey-punky-classic rock from the 70s/80s done by psychonautic blues-heads, so maybe The Stooges mixing it up with early-ish Whitesnake after a spliff ; also Endless Boogie who were much more recent. Nudity also come to mind, and a lo-fi White Hills. They mention Hawkwind which is also a good call if you imagine them at their most Motorhead-y!

This is psych-rock for a sunny day with the windows down. If there was any justice I’d hear this coming from every third car that drives past.

Giöbia – Magnifier

giobiaAcid rock. Space rock. Stoner rock. Psych rock. All of those tags contain words which have more or less descriptive value when applied to music. It’s an imperfect system, but for all that I slag it off, I have yet to come up with a better one. Well, apart from giving a direct method to listen yourselves and thus make up your own mind.

Giöbia hail from Milano in Italy and are named after an ancient pagan festivity from Northern Italy in which a straw witch is burnt as an offering to the forces of nature – must have post-dated the arrival of patriarchy, then, unless the specifics have changed over the years regarding the sacrificial victim.

Musically, they can be summed up using the opening salvo of descriptions. They can also be compared to a collision between White Hills and Dead Meadow, with a hint of Electric Moon – though I may just be saying the latter because their albums come out via Sulatron Records. They themselves also quote an influence from 70s Italian progressive, not an area I’m familiar with so I shall take their word for it.

No further words, m’lud.

The Myrrors – Entranced Earth

myrrorsNew album from The Myrrors, is this, and it carries right on from where they left off. Whilst that may sound like a back handed compliment, it most certainly isn’t. I’d say this is my favourite of their releases to date. It’s also the one where they channel Parson Sound more explicitly than before, at least on Liberty is in the Streets and the title track. Invitation Mantra raises a hypnotic pulse that I imagine would be a great soundtrack to astral projection, so it’s about time I learnt that skill so as to test that hypothesis.

Elsewhere, they do the rustic desert jams, reminding me at times of where Evening Fires are at. In fact, the layout of the album is kind of acoustic/electric/acoustic/electric and so on – the sense is of contrasts rather than opposites, different ways of presenting a worldview. I think it is put together very well.

Their continued evolution is a joy to behold, and I’m sure the journey will continue to places unimaginable. For now, though, this is a lovely place to stop and take in the sounds.