Emma Ruth Rundle & Jaye Jayle – The Time Between Us

errnjjCollaboration / split releases can be a hit and miss affair, but when they work well, they are a joy to behold. They’re even better when they introduce someone to you who you wasn’t familiar with and now glad you are.

For me, that is Jay Jayle, which is not the name of the person but the entire outfit. Research tells me that this is the project of one Evan Patterson of the Young Widows.

This collaboration came about because both artists had songs leftover from their most recent releases, and decided to combine them onto a split release. Although they have different styles, said styles complement each other well. Emma Ruth Rundle’s songs are highly personal and emotionally charged, with a very late night feel to them. She’s really hard to put a label on and doesn’t really sound like anyone else that I’m aware of, and that’s a good thing. Jay Jayle is a more rootsy, alt-country-blues affair that likes to repeat the groove throughout the tune, reminding most of all of Little Axe, albeit without the samples, and that also is a good thing.

I had intended to do a post on Emma Ruth Rundle’s Some Heavy Ocean last year, but didn’t because it was such an interesting year (which I realise doesn’t tell you anything, but hey ho). Let it be known, however, that the album comes with a hearty recommendation. It contains some great tunes; the lady clearly knows her way around a song.

 

Wovenhand – Blush Music

.blushmusicWe interrupt this trip around the music I’d like to buy with a nod to a great album from 2003. Apparently, this was music that David Eugene Edwards wrote for Ultima Vez, a Belgian dance company, which may have something to do with having a less overtly religious theme than his usual fare.

It is also more laid back than the usual Wovenhand approach to things, which has been increasingly heavy in its southern gothic approach to americana. Check out the 14 minute version of Ain’t no Sunshine. There are occasional moments of upping the volume, though, and the contrast increases their power, a good example being Your Russia (without hands).

His previous outfit were 16 Horsepower, who made the absolutely wonderful Sackcloth & Ashes, a proper hoedown of an album with quite a preaching from the pulpit feel to the lyrics, all apocalyptic imagery and burn-in-hell admonishments. Despite that, I fackin love that album; the songwriting is astonishingly brilliant all the way through, and the arrangements are top notch.