Mixpost 6, or soundtracks to the cave

Buses, eh?

So, when I say I’ve been locked away recording, what I mean is that I’m using my upstairs bedroom PC which is not internet enabled. I still have a job to do, and other boring things where I can at least still refer to my music library. I mean, that’s why we have them, right?

I was listening to the first Menimals release after a sweaty session the other night, and tracks 2 and 3 in particular gave me indescribable pleasure. I had one of those moments where I had to give thanks for being alive at the time when this music was made. So it seems apposite to kick off with this:

I’d forgotten about this, found it whilst going through some old CD’s I’d ripped over a decade ago. They almost out-Cave Nick on this one:

Madrugada – Black Mambo

We’ve had what we in the UK think of as a batch of hot & humid weather lately. My crappy weather app kept promising thunderstorms, but not once was a promise fulfilled. Accuweather, for that and many other failures of forecasting, I want to say publicly that you’re shite. (sidebar: what a gig weather forecasting is. If I was as good at my job as the average weather forecaster, I wouldn’t have a job anymore. Yet still we glue ourselves to their predictions. The human need for certainty is probably the root cause of all our troubles, not the crappy explanations we then argue over and start wars over and then say that’s what the problem with humanity is.)

*cough* anyway, here’s a storm related tune:

Little Axe – Storm is Rising

So, as an upshot of that Rusalnaia album I’d blogged about, I did something I occasionally do which is to click on a random fan, follow their taste and see where that led me. It ultimately led me to the collection Wahkeena Sitka, who makes the song below, which also comes with a seal of approval from my daughter, even though it’s of a type neither she nor I listen to much:

Back when Sexwitch first came out, I read a lot of utter bollocks from armchair critics who wanted to tell Natasha Khan she wasn’t allowed to reinterpret music that is of Pakistani origin even though she herself has roots there. I made the mistake of allowing that to put me off a bit and I wish I hadn’t. Music is as music does and will always speak for itself, and I fucking love what she’s done and I say do it again.

Pontiak’s new album is their best, and I really should do a post on it. While I think about that, listen to this:

and I know I only recently banged on about this, but it rules, it really does. Have it now, and have it loud:

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